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The Blog

  • Writer: Andy Walker
    Andy Walker
  • Aug 22, 2013
  • 1 min read

 Here’s a quick and easy way of painting a picture or capturing a moment in a sketch. I saw these paintings hanging in a hotel lobby and snapped them on my camera, so unfortunately I don’t know who the Spanish artist is. However they immediately appealed to me for their simplicity and freshness.

The artist has used waterproof ink and a pen to sketch out his drawing in a very freehand way. He has then used the same ink to create the really dark areas. Then, either with the same ink watered down, or with a watercolour paint, he has loaded a large flat brush and has applied the mid tones.

And so with great simplicity he has created three tones – white of the paper, mid tone and dark.  Why not have a go at this yourself?


pen and wash 2
  • Writer: Andy Walker
    Andy Walker
  • Aug 16, 2013
  • 2 min read

This guest post is by Annette Raff.

Many students complain that their watercolor paintings are too realistic. “How do I loosen up?” they ask. I believe watercolor paintings look better with less detail. Too often we try to put in everything we see in an effort to improve our painting. We labour over our paintings adding detail, texture, refining edges and making things more definite in an effort to improve our work. It is as though we ‘cannot see the woods for the trees’! Usually the more we add … the worse it becomes!


landscape

First of all, we need to see things in a completely different way. If you wish to paint looser and simpler, you must be prepared to let go of your usual painting habits. What do you have to lose? Why not give it a go?

Simplify right from the beginning

If you wish to improve your painting through the ‘less is best’ approach, then you will need to simplify, right from the very beginning! Even before you put pencil to paper! Yes … strange as it seems, good paintings begin with really looking and seeing ‘as an artist sees’.  Most of us as Artists wish to create a painting, not to create another photograph! This means we can be ‘in charge’ of what we want the viewer to see. We can edit and change and emphasise certain elements within our painting. If we try to do everything in our painting to exactness, then it is often too much for the eye to absorb and enjoy. A strong painting usually focuses on only one or two aspects, leaving the viewer to complete the rest.  A little mystery goes a long way to keeping our audience entranced!

Painting and sketching – ideas, inspiration and practical help to improve your art.

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